HOW TO BE ALONE

12 min 10 sec | 2019

“How To Be Alone” by Kate Trefry

One woman’s simple, three-step guide to surviving a night on your own.

For more about the film/filmmaker:
How To Be Alone Director’s Statement Video
https://vimeo.com/285939075/6b143e5fcd
Trailer
https://vimeo.com/294048873/bb8d7d8b19

Director’s Statement:
“I have always been afraid of being alone. But not in the way you think. It was never the idea of an intruder coming in, or a monster hiding under the bed that scared me. It was the spookiness of being forced to face myself, to sit alone with my thoughts, without anyone to perform for. Without anyone to stop me.

When I started writing HOW TO BE ALONE around Halloween, it began as a story about this feeling: the identity crisis that sets in with loneliness and boredom. And yet these other weird themes kept creeping in: sex, motherhood, pregnancy anxiety. I didn’t really know what was going on, but I went with it. The project evolved.

By the time we shot in May, I was five months pregnant.

Mystery solved.

But now I was faced with a real, actual identity crisis: wait, seriously, who am I though? Am I going to lose part of myself? Is that a bad thing? I could feel myself changing: for the first time, I felt conflicted about covering our baby actor in corn syrup blood, despite the fact that the visual was still very awesome. Pregnancy seemed to offer an ultimatum: in order to be a good mother, you must kill the self that was. Weirdo, badass, artist, mom. Pick one.

Suddenly, HOW TO BE ALONE became a personal statement rejecting this idea. I doubled down. And in doing so, I found a team of collaborators I didn’t think was possible. My mission as a first time director was to surround myself with the absolute best team I could. I was really overreaching. It was ridiculous. But we set the meetings and I crossed my fingers…and every step of the way, incredibly talented people fell in love with this project. From the producers and actors to the cinematographer, production designer, and composers, everyone understood the vision because it spoke to a secret part of them. What I had thought was a bizarre personal tic suddenly seemed like a universal truth. The result was a production that was a million things films sets aren’t supposed to be: Intimate. Electric. Fun. With these incredible people we shot a film that I am extremely proud of, and somewhere in the process I learned what Lucy already knows: that only by literally embracing our warring identities can we survive.

My original goal for HOW TO BE ALONE was to expose the weird, embarrassing, scary secrets we keep locked up, where they wait for a moment when we are alone to pounce. I wanted to show people of the absurdity of our darkest fears, and to remind them that a powerful phobia is really only evidence of an even more powerful mind.

But if audiences only take away one thing from watching this short, let it be the same thing that I took away from the experience: the knowledge that you are not alone. No matter how strange or dark it is in there, I am with you. We are all with you.”